Miriam Salado

MIRIAM SALADO. “Paisaje Negro”. Technique: Charred ironwood figures on a 45 x 53 cm circular base. Unique piece.

Graduated from the SOMA Contemporary Art educational program 2017-2019 in Mexico City. She studied Plastic Arts at the University of Sonora and at the National School of Plastic Arts ENAP-UNAM, Mexico City. 2006-2011. Miriam was part of the Art Program: Strategies and production processes in contemporary art (2015) in Hermosillo, Sonora. She counts with five individual exhibitions; Estío, 206 Contemporary Art, Tijuana, Baja California (2018), Black Landscape, Impala Projects, Ciudad Juárez Chihuahua (2017), Devastated Memory in Contemporary Cell, Mexico, D. F. (2017), Detritus. Vestiges of the Arena in the Sonora Art Museum, Hermosillo, Sonora (2016) and The Heavy Cartel in the gallery of the Sonoran Institute of Culture, Hermosillo, Sonora (2013).

Collectively, she has exhibited in Mexico, D.F; Acme Salon No.4 (2016), Puebla; Creation in movement, San Pedro Museum of Art (2014), Culiacán, Sinaloa; Time and Space, Frida Kahlo Gallery (2016), Tijuana, Baja California; Conditions of the environment, City gallery (2015), Hermosillo, Sonora; Sense and Disorder, Sonora Art Museum (2016), and recently Separated by the Border, Pima Community College in Arizona (2019), among others.

Miriam obtained the acquisition award in the State Photography Contest (2015) and in the Eighth Biennial of Visual Arts in Sonora (2012). Honorable mention at the thirteenth Visual Arts Biennial of the Northwest in Culiacán, Sinaloa (2011).

She was a beneficiary of the State Fund for Culture and Arts of Sonora FECAS 2012-2013 and National Fund for Culture and Arts FONCA 2013-2014.

Her work has been published in La Tempestad magazine, Pez Banana, Milenio newspaper and El Imparcial newspaper.